In fact, various tools are so good that I think it’s really hard to give people advice. And Reaper is a powerful, cross-platform option that costs just US$60, even for most commercial work (now that they’ve made the individual license more open).
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Cakewalk’s SONAR, once a little more bare-bones in the extras department than Logic, now offers a lot of the same sorts of goodies to Windows users in its own (underrated, I think) DAW.
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Digidesign will add a pretty powerful version of Pro Tools to a hardware bundle. I’d buy that, except for some of Apple’s own competitors. I find it amusing that some claim Apple’s aggressive pricing is only possible because they sell hardware. The record industry may be dying, the planetary economy failing, and music technology elusively complex to most average musicians, yet competition in the DAW space just continues to heat up. Oh, and one little improvement I didn’t fit in the review: there are some amazing special effect convolution impulses Apple threw in with Space Designer, which should give you more fodder for sound design experimentation. (Meanwhile, I’m trying to figure out how I can rework my own live set so it requires less software, but that’s me.)
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Apparently MainStage has crept into some big-name live shows I’m going to work on getting more reports from the field. The amps and such are fun, but to me the other banner feature in Logic 9 is the vastly improved MainStage, which adds backing tracks, ReWire hosting, and other features that could make it more powerful for live performance. MainStage adds backing track playback, looping, and ReWire hosting to make it more versatile for live performance.